MoversSomeguy↓416Afi↓374Grethos↓352Abhi | AP Collective @ Token 2049 🇸🇬↓281Majdi↓266Tradevitalik.eth↑1.5%Brandon scott↑2.9%Ethos↑1.0%Ansem 🐂🀄️↑1.0%VouchesMLO990 WHUF → Serpin TaxtMLO496 WHUF → CirrusMLO100 WHUF → Phoenix 🐦‍🔥MLO100 WHUF → OSFReviewsCoinbase Ventures 🛡️positive · 90 upvotesgabriel shapiropositive · 73 upvotes一川drive 🔴positive · 38 upvotesaiobkhan ✨positive · 29 upvotes
Profile· Neutral@SarahMeyohasOn Ethos
Sarah Meyohas

Sarah Meyohas

18 reviews, 89% of them positive.89% positive · 18 reviews· Influence factor 33, above 6% of accounts
“Sarah Meyohas”Sarah Meyohas is a French-American conceptual artist whose work spans photography, film, virtual reality, performance, and sculpture, often exploring the intersection of technology, finance, and aesthetics. Born in 1991 in Manhattan, she holds dual degrees in finance and international relations from the University of Pennsylvania, a B.S. from the Wharton School, and an M.F.A. from Yale University (2015). Her multidisciplinary practice engages with emerging technologies, examining themes like value, perception, and the digital age. Meyohas gained attention with Bitchcoin (2015), a cryptocurrency tied to her photographic prints, where one coin equals 25 square inches of her work. This project cleverly critiques the art market and blockchain technology, though its novelty can sometimes overshadow its conceptual depth. Her Stock Performance (2016) at 303 Gallery involved trading stocks in real-time and drawing their price movements on canvas, merging financial systems with artistic expression. While innovative, the work’s reliance on market dynamics can feel niche to those outside finance or art circles. Her Cloud of Petals (2017) is a standout, involving 16 workers photographing 100,000 rose petals at the former Bell Labs to create a dataset for an AI algorithm that generates new petals indefinitely. Exhibited at Red Bull Arts New York, it combines film, VR, and performance to probe big data, beauty, and human subjectivity. The project’s ambition and poetic execution are impressive, though its scale can make it less accessible. More recent works, like her Desert X installation (2025), use light manipulation and algorithms to create immersive optical effects, reflecting her ongoing interest in perception and technology. Her pastel drawings, made with a custom robotic plotter, blend materiality with precision, offering moments of beauty but occasionally lacking the provocative edge of her earlier projects. Meyohas’ work is exhibited globally, including at the New Museum, Barbican Centre, and Centre Pompidou, and she was named to Forbes’ 30 Under 30 in 2017. Her art is intellectually rigorous, often requiring context to fully appreciate, which can be both a strength and a barrier. She excels at bridging complex systems—finance, tech, nature—but her focus on conceptual frameworks sometimes overshadows emotional resonance. For those intrigued by technology’s role in art and society, her work is thought-provoking and visually striking, though it may not connect as deeply with viewers seeking more traditional or emotive art forms.Deborah Attah · 1012· 1y ago · neutral7
12 of 18 · most upvoted firstMore ›